��������

Celebrating its 3rd birthday, the specialist in music composition, sound design and sonic branding for advertising and film, is marking another stellar year of partnering with leading agencies, brands and production companies to elevate the standards in sound production. 

To mark its third anniversary, Heckler Sound has released a new showreel cut by Shots Editor of the Year Andrew Holmes and accompanied by doom metal band Potion’s track Dead Mountain. The reel highlights a sample of the studio’s dynamic work.

To view Heckler Sound’s reel . 

Heckler Sound co-founder and creative director Johnny Green said, “The past three years have been transformative for Heckler Sound. We continue to push the boundaries of innovation in sound and deliver a broad scope of work across film, TV and sonic branding that speaks for itself.”

 

Some key Heckler Sound highlights for the year include teaming up with Saatchi & Saatchi to compose a stunning soundtrack for Ampol’s ; scoring underground ambient, drill inspired music for Kraken with ; pulling on the heartstrings for Qantas with by blending Tones and I's hit 'I Made It' with raw recordings from the real families and friends of Paris Olympic and Paralympic athletes; and, crafting adrenaline-rush immersive soundscapes paired with original music for Hyundai’s campaign. 

The award-winning sound house also lent its talents to . Directed by Krunal Padhiar and co-directed by Semara Jose, the film follows Deadly Inspiring Youth Doing Good (DIYDG) on a cross-country road trip as they build grassroots support for the 2023 Indigenous Voice to Parliament referendum. A film about activism, hope, resilience and joy, Heckler Sound provided a sound mix to give Voice that last little bit of polish before its premiere at the Melbourne International Film Festival, where it was named a co-winner of the MIFF Audience Award.

Heckler Sound executive producer Bonnie Law said, “We’ve worked on three feature films over the past 12 months which demonstrates our commitment to dive further into longform, as we continue to hit high notes for campaigns led by some of the best creative minds at production companies and agencies we admire and look forward to working with every day.”