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Renowned edit house PS260 announces the addition of rostered editor Matt Posey as a partner. As part of PS260’s leadership team, Matt will work closely with executive producers at each of PS260’s outposts: Laura Lamb Patterson in New York City, Zeke Bowman in Boston, and Raná Martin in Los Angeles. Together with managing partner Zarina Mak and partners JJ Lask and Maury Loeb, Matt will play an integral role in artistically guiding PS260’s editors and charting the course for PS260’s future endeavours.

As a rostered editor at PS260 since 2016, Matt’s visual style is marked by fast-paced, energetic cuts. His editing portfolio includes global spots for brands including Apple, New Balance, M&M’s, Staples, JetBlue, Skinny Pop, YouTube, Audible, Crayola, Peloton, Google, Etsy, and Three Olives. He also edited the award-winning documentary film “Who is Sabato De Sarno? A Gucci Story,” directed by Ariel Schulman and Henry Joost, which garnered accolades at The One Show, D&AD, and won AICP’s prestigious Best Of Show award. 

Matt edited music videos for the entirety of Metallica’s 72 Seasons album as well as their song 'Lux Æterna,' which was nominated for an MTV VMA. Other artists who’ve tapped Matt Posey to cut their music videos include Phantogram, Run the Jewels, Big Sean, Squarepusher, Julien Baker, and the innovative VR campaign for Depeche Mode’s 2017 'Spirit' world tour, which comprised multiple VR music videos and on-stage live visuals. Additionally, Matt edited the documentary 'Illustrated Man,' the feature film 'We’ve Forgotten More Than We Ever Knew,' and the indie pilot 'Who’s Annie?'

“I feel honoured to join the leadership team at PS260,” remarks Matt Posey. “This has been my artistic home for many years now, and it’s the site of much of my growth as an editor. I’m excited to help steer the ship, so to speak, and work alongside our executive producers and other partners to execute and collaborate on a grand vision for PS260.”

JJ Lask, partner and co-founder of PS260, adds, “Matt is an invaluable and insightful post-production artist. So much of my favourite work PS260 edited in recent years has been Matt’s films. He’s always down to mentor his fellow roster-mates and was already guiding them in many ways before formally becoming a partner - this formalises a lot of what we already know to be true: Matt is part of what makes PS260 great, and we’re thrilled to have him as a leader.”