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High Five: UK

03/02/2021
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Justin Tindall celebrates British creativity in five different forms, but none of them has anything to do with an ad agency
In today鈥檚 High Five from the UK, founding partner of Platform Justin Tindall shares five examples of creativity that came from different sources than you might expect.


鈥淔or a couple of years now I鈥檝e had the distinct feeling that the best agency talent no longer works in agencies. 

鈥淚t鈥檚 one of the reasons Kate Bosomworth and I left M&C Saatchi to set up Platform 鈥 to tap into that growing, gifted, free-thinking community.

鈥淎nd, if evidence of my instinct were needed, not one of the five pieces of work I鈥檇 like to shine a light on has been created by an ad agency.鈥


A hand-painted pebble I picked up while (illegally) strolling on a Suffolk beach 


How I wish that was true. I actually stumbled upon it while (legally) combing through . It鈥檚 so good though. Even the shape of the stone is perfect - like a thoughtful little heart full of child-like love. Making the sucker-punch on the reverse all the more witty and powerful. Who knows who did it? But if you do know, please point them in my direction, I鈥檝e got briefs that need cracking.


The Burberry Christmas Film

Yes, I know it鈥檚 a couple of months old but this film literally took my breath away. The best of the Christmas bunch by a country mile. In fact, it鈥檚 among the best brand films I have seen in years. Created by the in-house Burberry team and directed by Megaforce. If I had made this and died in a freak giant hailstorm I would have died, to quote Gene Kelly, with a smile on my face.


The Door of Number 10


This is a genuinely brilliant piece of thinking. So much is communicated with so little. Brilliantly timed too. Just as the Government are doing all they can to divert our eyes toward the numbers of people who have been vaccinated, this pops up brutally reminding us of the shameful number of fatalities and at whose door the responsibility so firmly lies.


Brewdog Buys a Scottish Estate


The single most impactful consequence of the digitally empowered consumer, for me at least, is the pressure that it has put on brands. At its most simple, it means that every single thing that a brand now does is an advert: Put a fraction more sugar in your burger bun 鈥 you鈥檒l get toasted. Try to close a remote banking branch on the quiet 鈥 someone will shout about it. Few brands understand this better than Brewdog. Their latest act? To in Scotland (well known for its annual grouse 鈥楢flockalypse鈥) solely for the purpose of planting trees across its thousands of hectares of land and, of course, leaving the grouse to live long and happy lives.


The BBC鈥檚 Lockdown Learning


I genuinely believe that the BBC is the most creative organisation on the planet. Its ability to live, innovate, empathise and create 鈥榠n the now鈥 is mind-blowing. And its multimedia, multi-touchpoint, multi-access response to home-schooling  is the perfect example: (Gary Lineker teaching Spanish being a personal fave), providing full curriculum learning through years one to nine, parent and teacher support across Twitter and Facebook and a constant stream of Insta and TikTok content for teens. All delivered with what felt like overnight speed. I don鈥檛 believe that any other organisation in the world 鈥 Amazon, Google, Apple - could have (or would have) delivered anything close.

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