The industry loves talking about the intersection of tech and creativity, like, a lot. But today in Dream Teams we're taking a look at a duo that actually merges the technical and the creative 鈥 Armadillo鈥檚 executive creative director Hannah Waters, and their executive technical director, Rob Pellow.
Hannah and Rob met five years ago when the former contracted the company on a pitch, more specifically her first ever CRM focused-project, having come from a purely brand background. Hannah had lots of 鈥渞elentless,鈥 as she puts it, technical questions, and Rob, as a true tech person, was ready to answer everything with envious enthusiasm.
鈥淚t was such a refreshing experience,鈥 Hannah says. So refreshing, in fact, that it led to her accepting a full-time role at Armadillo only a few months later, which leads us to today. After a mere 45 minutes together, Rob, too, instantly knew that Hannah matched his passion, creative ideation and, importantly, silliness. 鈥淚t was one of my favourite meetings that I鈥檇 had in Armadillo,鈥 he says.
At Armadillo, every digital project requires close collaboration between the creative and the technical, so after the duo got a taste of their impeccable dynamic, they became each other鈥檚 go-to. While Rob came to the rescue for all technical CRM knowledge, Hannah brought her brand skills and creativity. In addition, Rob鈥檚 user-experience perspective meant he added even more value to Hannah's creative ideas.
鈥淚t felt like we鈥檙e two parts of a puzzle,鈥 Hannah affirms, 鈥淥ur conversations always had an energy to them of always building on what was possible. Plus, our similar sense of humour meant talking to each other was always fun.
"I鈥檇 never had such a collaborative relationship with a technical director, it had felt previously like magnets repelling each other, like I was always faced with 鈥榥o鈥檚 and 鈥榗an鈥檛鈥檚鈥. Now they became 鈥榶es鈥 and 鈥榠f鈥 and 鈥榟ave you thought about this鈥.
鈥淚t was like we were trying to solve the same problem, strengthening the outcome. We are the meeting point of brand and performance. He is the 鈥榗ould we鈥 to my 鈥榮hould we鈥.鈥
This energy has stayed the same through various crises, from pandemics to difficult projects, and shaped Hannah and Rob's working relationship. The only thing that鈥檚 changed now is that Hannah knows when to definitely refrain from making eye contact with Rob because the situation requires them to not burst out laughing.
In turn, Rob sees in Hannah composure and eloquence only fit for a 鈥減osh yoga teacher鈥 (which he still calls her some times). 鈥淚t鈥檚 difficult because I know Hannah so well now that it鈥檚 hard to think objectively about what鈥檚 changed,鈥 he says. 鈥淚 don鈥檛 think I would describe her differently from my first impression on our first project 鈥 my favourite sparring partner.鈥
Speaking of their first project together, this was the P&O Cruises Pre-Cruise journey, where, as Hannah explained above, creativity met technical complexity and Hannah met data-informed trigger journeys for the first time. 鈥淩ob felt like my personal guide through the technical complexities, always so generous with his time for anyone who shrouds interest.鈥
Remembering that same job, Rob says that he wasn鈥檛 particularly involved at the start, and with Hannah鈥檚 lack of experience in CRM, it 鈥渟hould have meant a really difficult ideation meeting about bringing a brand to life in the CRM world.鈥 Instead, he says, 鈥渋t was full of ideas, laughing and 鈥榶es, and鈥檚.鈥
Now, Hannah and Rob are both on the same page, and believe that too many people in the industry overlook CRM as a way to create meaningful and lasting engagement with audiences.
鈥淚鈥檓 always on the lookout for creative experiences in CRM that surprise and delight customers and so I look for inspiration outside of the channel,鈥 says Hannah. 鈥淩ob and his team of developers help us push the boundaries of what is possible in order to create meaningful, enjoyable moments for the customer 鈥 where we can build a picture of what would be relevant to each customer.鈥
At their best, Rob says, the two are now like a Venn diagram with user experience in the middle and lots of complementary skills on either side. One thing that鈥檚 definitely not on the diagram? Ego.
鈥淥ne of my favourite things about working with Hannah is that we don鈥檛 shy away from having strong points of view,鈥 elaborates Rob. 鈥淎nd we never agree just to keep the peace 鈥 it has to be the right thing for the client, project and customer.鈥
But what else do these two do when strong points clash? According to Hannah, they bring in the specialists 鈥 to hear alternative perspectives, and many of them too, until they are sure what the best outcome is and how it can be reached. Both strong believers in challenging what they鈥檙e shown or what they think they know, for Hannah and Rob debates are a core part of the creative process 鈥 emotions and all.
鈥淲e have been known to bring emotion to debates,鈥 says Rob, 鈥渂ut have gotten pretty good at setting context with each other, so we know when we can really push and when we might need to be softer.
鈥淲e unblock any creative or directional impasses by going up through the levels of objectives until we do agree, then work back down again to get to the output needed.鈥 They also never debate each other when hungry, so food is regularly the unifier.
Since the P&O project, many others followed and Hannah and Rob met them with the same energy and rigour. But, internally at Armadillo, both of them worked on something they鈥檙e particularly fond of.
鈥淚鈥檓 proudest of how we created clarity of role expectations and redefined career progression for the entire business with the job description and appraisal process overhaul,鈥 explains Hannah. 鈥淪eeing individuals identify and action their own growth is the thing I鈥檓 proudest of.鈥
Rob adds: 鈥淐reating the framework for how we do performance reviews at Armadillo was a real labour of love. We spent countless hours working on so many facets of it and it has given us a lot back in terms of developing talent.鈥
When it comes to external projects, interesting creative challenges are never lacking either. From how to create small modules of engagement and data capture into a new clients existing customer journey, to setting 鈥榮tart from scratch鈥 projects up for success, Hannah and Rob aren鈥檛 scared of any of it.
Nowadays, the challenges are less about direct client output and more about setting up the teams in a way that allows them to work with each other seamlessly. 鈥淭hinking about the people and roles we have, how they complement each other is a current creative challenge, in a way,鈥 says Rob.
Talking about the benefits of having a creative partner, Hannah says that someone being there to check your thinking is what freshens her own ideas up and makes them as robust as they can be.
鈥淐hallenge without ego,鈥 she says, 鈥渁nd unwavering support,鈥 are the best things about having Rob on her side.
And for him, it鈥檚 the knowledge that he鈥檚 seen 鈥 Hannah knows how he thinks, which helps her get the best out of him, she knows what makes him laugh, and knows when he needs a change of scenery.
鈥淚t鈥檚 not just having a work mate,鈥 he explains, 鈥渋t means you have a place you can go to when you鈥檙e excited and need help bringing that excitement to life, somewhere to go when you鈥檙e stuck and need a new perspective. And someone who knows all the specifics of how the industry and your business works, so you can just get into the meat of the challenge straight away.鈥
At Armadillo, every employee is expected to embody the values of challenge, craft and take ownership. So wherever Hannah and Rob look, they see others collaborating in the same harmonious and inspiring way that they do. 鈥淚t鈥檚 motivating to continually see people find new ways to channel these values and bring fresh thinking to a situation. Being open to, and seeking out, feedback and input from others to strengthen your work is what I find most inspiring.鈥
And what have these two techy creatives learned from each other? In Hannah鈥檚 view, what Rob has taught her is that one can feel 100% supported by someone willing to challenge them 100% of the time. 鈥淩ob regularly reminds me to bring empathy and perspective to situations I find difficult, by demonstrating these himself.鈥
鈥淗annah genuinely made me better at my job,鈥 says Rob. 鈥淚鈥檝e learned lots from her. From a ridiculously meticulous approach to note taking, to how to break a problem down before tackling it in a manageable way.鈥
In turn, what we鈥檝e learned is that with these two, there鈥檚 no work challenge that can鈥檛 be overcome, and out of difficulty, as Hannah says, comes a greater solution, often with 鈥渁 side of some hearty, side-splitting laughter.鈥