There鈥檚 a moment when a song just hits, not just as a track, but as a feeling. It transports you, makes you nostalgic for a time and place, even if you weren鈥檛 there. That鈥檚 exactly what happened with our latest campaign for . We licensed 鈥楾his Is the Day by The The鈥, and the second it played, I felt that warm familiar feeling that comes with those fond memories from your past. Emotional recall at its finest.
That鈥檚 the magic of music supervision. And for me, it all started with the 1995 movie .
I was nine years old in 1995, a London girl still figuring out my taste in music. Back then, my world was mostly shaped by whatever my parents played at home, my sister's latest boyband fix or what was on the radio. Then there was Empire Records. It wasn鈥檛 just a film, it was a portal into a world of indie music, alternative culture, and the kind of soundtracks that didn鈥檛 just play in the background but told the story.
I didn鈥檛 see it in the cinema. I don鈥檛 even remember exactly when or how I first watched it, most likely on a VHS, but when I did, it felt like stepping into a world I never knew existed, a world where music was more than just something you listened to. It was culture, attitude, rebellion, and belonging, all wrapped up in one messy, beautiful, loud story about a bunch of misfits trying to save their beloved record store. A Hot Mess, the best of its kind.
, , these weren鈥檛 just songs. They were scenes. They were emotions. They were characters in their own right. Hearing them again instantly takes me back to Liv Tyler鈥檚 obsession with Rex Manning, to the rooftop celebration and to that weird scene where Mark gets eaten by Gwar. Empire Records didn鈥檛 just curate great tracks, it was a gateway into a new way of experiencing music. It was a love letter to the power of soundtracks, the way the right song at the right moment can hit you straight in the heart and stay with you forever. It was the movie that introduced me to AC/DC for fuck鈥檚 sake! - that riff, I thought it was the coolest thing I'd ever heard. It made me feel like I had finally arrived and there was a whole new exciting world of music to discover. School was in session!
And, that鈥檚 what great music supervision does. It鈥檚 not just about picking tracks, it鈥檚 about understanding how music feels in a moment. It鈥檚 why, decades later, we still talk about certain soundtracks with reverence because they weren鈥檛 just collections of songs, they were cultural moments.
Unlike many soundtracks of the era that leaned on already established rock stars, Empire Records championed lesser-known and independent artists, weaving them seamlessly into the film鈥檚 aesthetic. It introduced mainstream audiences to bands like The Innocence Mission and Drill, while also giving anthemic moments to '90s legends like The Cranberries and Better Than Ezra.
Few soundtracks have ever been as finely tuned to a movie鈥檚 soul as Empire Records鈥. Every track feels like it was lived in, not just laid over the top. It鈥檚 a rare example of a film where the music isn鈥檛 just an accessory, it鈥檚 a character in its own right.
What makes a soundtrack so iconic isn鈥檛 just the tracklist, it鈥檚 how each song fits the film鈥檚 moments so perfectly. Take the use of 鈥淪ugarhigh鈥 during the rooftop finale, turning a scene of youthful exuberance into a moment of pure, musical catharsis. Or the way 鈥淧lowed鈥 by Sponge underscores the chaotic energy of the employees trying to save their beloved store. The soundtrack wasn鈥檛 just background noise, it was an extension of the film鈥檚 emotional core and it fucking hit hard!
Empire Records understood something that the best movies and the best brands know: music has the power to shape our memories. The right song can elevate a scene, make a story unforgettable, and form an emotional bond that lingers long after the credits roll.
Fast forward to today, and that same feeling drives my work in music and advertising. The Longchamp SS24 campaign was proof of that. It marks the brand鈥檚 first collaboration with acclaimed American photographer and director Theo Wenner. Through his signature sensitivity and mastery of light, Wenner captures the collection鈥檚 natural essence, creating images that radiate intimacy and authenticity.
MassiveMusic captured the essence of a soft joy and a natural beauty that defines the atmosphere of the film. After several rounds of search, we landed on This Is The Day by The The, a track that beautifully balances uplifting melodies with a nostalgic undertone. Its rich instrumentation and evocative energy harmonise with the campaign鈥檚 serene outdoor setting, creating a soundtrack that feels fresh and optimistic. This Is the Day wasn鈥檛 just a song, it was the song. The right one to evoke optimism, and that indescribable sense of transformation that music can bring.
It鈥檚 why (in my humble opinion) Empire Records remains one of the best soundtracks of all time, not just for the bands it featured, but for how and where the music was used. It made you feel something. And, isn鈥檛 that the whole point?
That鈥檚 why music supervision matters. It鈥檚 why agencies like MassiveMusic exist, to make sure brands, films, and campaigns don鈥檛 just use generic music but live in it. Because when it鈥檚 done right, music doesn鈥檛 just support a story. It becomes the story.
鈥淒amn the man. Save the empire.鈥